To tell the story, Art used many
different literary techniques in which to tell it better. The book
unfolds in a non-linear fashion, as it begins with a childhood memory
characterizing his relationship with his father. The book then
settles into the overhead narrative of Art trying to get the story of
his father, and then the second narrative of Vladek's time before and
during World War 2, creating a metanartive. “This craving that
this author might have had to express himself in a successful state
might have contradicted his feelings, so in this way, Art used a
metanarrative to correct his emotions and at the same time produce
his designated goal “[1] Showing the reader the process of writing
the memoir increases the level of trust we have for what is being
said. We know what parts Art is writing down, what parts he
recording, and which of those are from memory. This creates a very
trustworthy narrator, who does not try to hide anything or mislead
his readers on the reliability of what is on the page. One might
think Maus is a story about a man escape from German
concentration camp, but its actually a story about a Boy discovering
about his father's past and how he comes to grips with who him and
his father have become.
Occasionally, Art steps back from
retelling his father's tale to make sense of what it all means. I
believe the most profound moment was when he was talking to his
psychiatrist.[2, pg41-47] This it when he truly reflects on why he is
writing the book, when he hasn't even finished. He still manages to inject humor into his book on page 45, with his joke about Samuel Beckett. Instead of doing an
narrative to express his feelings, the back and forth discussion is a
beautiful way to use dialogue to get to the truth of Art's feelings,
while at the same time heightening it visual as Art becomes a small
boy and the mask he's wearing becomes a real mouse head. This
beautifully symbolizes his detachment and feelings of how overbearing
the entire project is becoming.
"Why is Maus I in metanarrative
form?" Http://trcs.wikispaces.com.
<http://trcs.wikispaces.com/Why+is+Maus+I+in+metanarrative+form%3F>.
[1]
Spiegelman, Art. Maus II: A
survivor's tale : And here my troubles began. New York: Pantheon
Books, 1991. [2]
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